Features
Catalogue essays
Conversations & collaborations
‘In their own words: New Contemporaries artists on using language in their practice’, Corridor8, 20.01.2020.
'On forgetful ornament, flat pattern and the medieval imaginary’, Pink Sands interview, May 2020.
‘Follies’, Art Monthly, 417 (June 2018).
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‘Make believe’, The Alchemy Between Us, with Laurence Payot, July 2017.
‘Traytime’, Feast Journal, issue 3: The Meal, June 2017. ISSN: 2397-785X.
‘Contemporary Artists Make History’, On Being Curious: New Critical Writing on Contemporary Art from the North-West of England, ed. Laura Robinson (The Double Negative; Contemporary Visual Arts Network NW: 2016), pp. 42-47.
‘Art. What’s the Use?’, Axisweb, Beyond the Gallery feature, August 2015
‘Festivalis Biennis’, by Medieval Helpdesk [Lara Eggleton and David Steans], Doggerland & Bristol Biennial: In Other Worlds, 2-10 September 2016.
‘Benjamin Hannavy Cousin: The Colour of Words’, one one six Gallery, August 2015
‘Restless Nature: the work of Amy Stephens’, catalogue essay, Oonagh Young Gallery, 17 November – 21 December 2011)
‘Curating the prize’, with Sarah Brown (Northern Art Prize) and Laurence Sillars (Turner Prize), a-n, 29.11.2011.
‘Hondartza Fraga: Exploring the archive, fixing the sea’, A still better seaward peep (Leverhulme Trust; Maritime History Studies Centre, University of Hull, 2013)
Reviews
‘Of Prehistoric Futures’, co-authored with Stefan Skrimshire, in Fragile Beauty. Reflecting Earth in the Anthropocene, Stolz, A., Brumer, I. C., Rivera, M., eds. (Berlin: Round not Square, 2015).
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Experimental/ creative writing
Liquid Crystal Display, Site Gallery’, Art Monthly, 421 (November 2018)

‘Daria Martin: A Hunger Artist’, Art Monthly, 418 (July-August 2018)

‘Idea Home Show, Middlesbrough Institute of Modern Art’, Art Monthly, 413 (February 2018).

‘City Sculpture Projects 1972, Henry Moore Institute, Leeds’, Art Monthly, 403 (February 2017).

‘Serf - Leeds’ newest artist-led workspace’, a-n, 13.09.2016

‘The Brutalist Playground, S1 Artspace’, this is tomorrow, 19.08.2016

‘Notes from Technotopia: Artistic visions of the tech-past/present/future, Gallery II, Bradford’, this is tomorrow, 19.11.2015

‘The Feast Wagon, The Tetley, Leeds’, Corridor 8, 26.10.2015

‘Assassination, Space Travel & Regeneration: Modern History Vol. 1’, The Double Negative, 09.06.2015.

‘British Art Show 8: how Leeds’ independent and artist-led scene is responding’ (co-written with Amelia Crouch), a-n Magazine, 07.10.2015

‘Vladimir Markov: Displays and Fictions’ (co-authored with Jeremy Howard), The Sculpture Journal 22: 2 (2013): 149-151.

‘The Art Prize Exhibition: interviews with Turner Prize and Northern Art Prize curators’, a-n (artists newsletter), Dec 2011 – Jan 2012
‘Launch Pad: Amelia Crouch [annotations by the artist]’, Castlefield Gallery, 29 July – 7 August 2016.
‘Drawing Inside the Lines: the work of Eirini Boukla’, Artists as Researchers: A new paradigm for art education in Europe (Univeristy of the Arts Helsinki, 2013)
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